NOTES ON K-POP RE-EDIT: GOT7 Discusses Breaking Records, Selling Out Shows & Dabbing
A look at one of my first-ever interviews for Billboard, with a focus on editing & how to formulate interview questions
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In Conversation: "The Rose: Come Back to Me" director Eugene Yi and Producer Diane Quon
If you've followed The Rose's career, there's no question that they're an act deserving a documentary. The Rose: Come Back to Me, in theaters now, was released over Valentine's Day weekend, and centers on the band's trials and
Best K-pop albums of 2025
Happy Lunar New Year! 새해 복 많이 받으세요! I am hitting publish on this to go out on February 17, which means are we are well into 2026 as we're literally starting the Year of the Horse today, but I'm still sonically back in 2025. In
Notes on K-pop Interview: HYBE / BELIFT LAB on Enhypen's 'THE SIN: VANISH' & 'VampireNow News'
ENHYPEN released their new THE SIN: VANISH album today, January 16, in Korean, English, Japanese, and Chinese versions. A 23-minute long, 11-track album released in not only Korean but English, Japanese, and Chinese, it leans heavily into the immersive narrative surrounding ENHYPEN since day one: vampire romance. Already told through
Best K-pop Songs of 2025
Over the past twelve months, K-pop has been fascinating to witness for what it’s turning into and what it’s reacting to. I think this year truly belonged to rookie groups, with many rising acts really getting their presence known in a moment when many more senior acts didn’