NOTES ON K-POP RE-EDIT: GOT7 Discusses Breaking Records, Selling Out Shows & Dabbing
A look at one of my first-ever interviews for Billboard, with a focus on editing & how to formulate interview questions
A look at one of my first-ever interviews for Billboard, with a focus on editing & how to formulate interview questions
I was in Korea last month, and spent a lot of my time running around to have coffee with industry friends. One journalist and I were talking about the success of K-pop Demon Hunters, and what 2026 would bring, and I keep thinking about something he said to me: "
Key's show at Kings Theater on December 10 felt like a celebration of himself, even in the moments when he had to catch his breath. Because, as he says, he's "not 18 anymore." But, as the night went on, it felt like the moments
It's December 2025, which feels like an impossibility, but this year is nearly over. We live in a period of immense darkness, and sorrow, and I am sending you all well-wishes for light. It was a weird year for K-pop in my opinion, though I'll get
I'm in Seoul at the moment, so a bit slower to write than I usually am, but have spent a lot of my time walking through shopping centers and outside of stores blasting music thinking about what K-pop sounds like in 2025. The answer, I feel, is unclear,