Hybe's Burn Book Culture

I was out with a few industry folks last week, celebrating the release of my friend Ilana Kaplan's book on Nora Ephron. A bunch of entertainment and music journalists were there, and someone who I had never met before heard that I covered K-pop for about a decade

Notes on K-pop interview: Isabel Jones

Taylor Cross (who also writes under the name Carmen Young) is one of Notes on K-pop's summer fellows. She is a Bay Area-based freelance writer and Crunchyroll News contributor with a passion for K-pop, K-dramas, and intersectional pop culture conversations. She previously wrote a guide for getting K-pop

Who Protects K-pop stars?

Bonus newsletter for the week! Because I may not have a chance to write next week, but also because I have a lot of thoughts on my mind. This question, "who protects K-pop stars?" may seem facetious: K-pop stars, at least the ones at the top of the

The power of locality even when K-pop aims for "global" reach

On October 11, it was announced that RIIZE's Seunghan would return to the group after nearly a year's hiatus, and would perform again for the first time in November. On October 13, he withdrew from the group permanently. The shocking speed of things is somehow not

Here come the career regrets

A little trigger warning right here that Tamar Is Getting Very Personal in this Newsletter. Feel free not to read. I'll be back with normal, a bit more fun programming, next week (hopefully!) In my email to myself about a month ago, I wrote, "Eaj, Elul, and

Tips for the Lovecraftian Horror that is K-pop concert ticketing

Taylor Cross (who also writes under the name Carmen Young) is one of Notes on K-pop's summer fellows. She is a Bay Area-based freelance writer and Crunchyroll News contributor with a passion for K-pop, K-dramas, and intersectional pop culture conversations. Tamar: As we all know, ticketing is absolutely

A reading list to clean up my life

And by life, I mean my phone and computer. I'm infamous among my friends and peers for screenshotting my computer to reveal a hundred-plus tabs open on my browser. What most people don't realize is that I actually have two browsers open (Chrome for general use,

Beyond the Bias: Rising Asian and Asian-American Boy Bands You Need to Pay Attention To

Kimberly Szeto's one of Notes on K-pop's summer fellows.  She has been a passionate K-pop fan for over 15 years. She currently works in the AAPI nonprofit space, and is a freelance consultant for other clients. She is hoping to expand into entertainment journalism, with a

The precarity of being a hit K-pop girl group in 2024

Since April, we have witnessed brewing tension between Hybe, the biggest entertainment company in South Korea, and Min Hee-jin, then the CEO of Hybe subsidiary, now former CEO. A very dirty, very public battle has since played out in the court of public opinion, one of several this year, which

The emotional support K-pop boys vs "there are no good men" divide

Art means something, and the dolphin meme overlaid with the word "shibal" means something especially lately for some K-pop fans. "Shibal," or "ssibal" (씨발), is Korean for F**k, and this happy-go-lucky, Lisa Frank-esque meme overlaid by the curse feels like the exact mood

The K-Pop Fandom Ecosystem: Group Orders & What They Create

Katie Doan is one of Notes on K-pop's summer fellows.  She is a multimedia storyteller with a keen focus on Korean pop culture. After graduating with a Bachelors in broadcast journalism from California State University, Fullerton, she now works in activism. Tamar: When Katie pitched doing a piece

Finding K-pop where the stars don’t go

Sarah Zhang is one of Notes on K-pop's summer fellows. She is a student at New York University studying Media & Communications and Entertainment Business. Tamar: When Sarah pitched this idea to Notes on K-pop, it excited me to learn about how different her perspective is about K-pop